Others, including the show's longtime producer Spike Jonze, liken Jackass to extreme performance artists such as Chris Burden, whose notorious 1971 piece Shoot consisted of someone shooting him in the arm with a rifle (Knoxville's first Jackass stunt was to test a range of self-defence weapons on himself, such as pepper spray and tasers). Knoxville paid tribute to Keaton with a reenactment of his famous "falling house facade" stunt in Jackass 2, though, inevitably, it went wrong and the house landed on top of him. Further down that lineage, you'd probably find silent slapstick danger-freaks such as Harold Lloyd and Buster Keaton. MoMA curator Louis Siegel positioned it as "the climax – or the lowest depths if you prefer" of a cinematic tradition of laughing at the misfortune of others that reaches back to the Lumière brothers pranking their gardener with a hose in 1895. Last month, Jackass 3D was screened at New York's Museum of Modern Art, for example. Knoxville might be at a loss to explain the movie's success, but Jackass's resurgence has prompted serious critics to reassess its cultural significance, if only to justify the fact that they secretly enjoyed it all along. I think I'm good at minimising the pain and being indifferent to it." "Doctors have told me I have a high pain threshold, but I can only know what I feel. Medical terminology is now second nature. As well as the penis breakage, over the years he's damaged his back and suffered innumerable concussions, lacerations, bruises and maulings. He also loses a tooth thanks to a flying dildo. "I'm so uncoordinated, I can't really do that much, so my specialty is standing in one spot or holding on to something, like an exploding rocket or a jetski." Among other life-threatening stunts in Jackass 3D, Knoxville gets upended by a charging bull and lands dangerously on his neck. "Everyone gets hurt, but I've probably had the most injuries," he says. And, as always, Knoxville is master of ceremonies: part southern charmer, part carnival barker, laughing maniacally as his colleagues writhe in pain. Otherwise, Jackass 3D is slapstick masochism as usual: YouTube-sized chunks of genital self-injury, "don't try this at home" stunts, street pranks and peer-group humiliation and revulsion. The 3D gimmick and some effective high-definition, super-slow motion stunts are just about the only things that appear to have changed. "When it hit 30, 40 million we were jumping up and down, but after it got past 50 million we were just, like, silent." "Man, we were just thrilled and … baffled. Knoxville is as surprised as anyone by the movie's success. But last month Jackass 3D surprised everyone by breaking US box office records – it has now taken more than $100m in the US alone.
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The joke was supposed to have run its course several years ago, after three TV series, two movies and numerous spin-offs, and we were all ready to write off Jackass as a noughties anomaly, to be filed somewhere between extreme sports and gross-out comedy.
#Jackass 2 movie movie
Just as it's impossible to think of any other mainstream movie in which bodily fluids are liberally ejected and ingested, male nudity is so liberally on show, or the human body is so routinely and genuinely abused. The point, though, is that it's impossible to imagine having this sort of discussion with anyone else. It's a war story the Jackass star has often told, so the gory details don't need repeating – suffice to say, he has to self-adminster a painful-sounding procedure twice daily that wouldn't look out of place in the latest Jackass movie. More precisely, how he broke his penis three years ago in a motorcycle stunt that went wrong. I t should come as no surprise that within minutes of our meeting,Johnny Knoxville is talking about his penis.
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